Review: God of War Ragnarök is a game about puberty | Reviews

للأسف لا يمكن عرض هذا المحتوىليس لدينا إذن لملفات تعريف الارتباط الضرورية. يرجى قبول ملفات تعريف الارتباط لعرض هذا المحتوى.

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Just like in 2018

Technically, not much has changed since 2018. Kratos still plays pretty much the same as in the previous part and cuts enemies into smithereens, among other things, with an ax. Although there is a bit of a novelty in the combat system, it’s still pretty cool four years later. The battle looks exciting and requires the utmost concentration. Clicking on buttons blindly rarely pays off and always feels worthwhile.

In between battles, explore the mythical Scandinavian lands by walking, jumping and solving puzzles. While you can explore the game world a little more freely later on, you’ll be walking one big, linear path most of your time.

Puzzles are sometimes frustrating and sometimes wonderful

Puzzles that you find attractive to touch. But if you don’t know what to do, it quickly leads to frustration. The creators want you to solve everything a certain way, and if you haven’t figured out that way, it’s like hitting a brick wall.

But if you use the same wavelength with the game designers, these puzzles are often great. Then it’s like you’re discovering a great temple mystery from the Indiana Jones movie. Since the game follows a linear path, almost every puzzle is also unique, preventing boredom from settling in.

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Photo: Sony

conclusion

God of War Ragnarok More than what we saw in 2018 in God of War. The fact that this sequel is exciting and compelling also shows that the previous game from 2018 was ahead of its time.

Just like before he says Ragnarok A candid story, this time about how the relationship between a parent and child can be stressed during puberty. It’s unusual that action games like this, long known for their exaggerated violence, can paint such an intimate picture.

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