The role of Lydia Tarr required a lot of Blanchett’s time. “The preparations started about a year before we shot,” Field says. “At that time, she made two more films. She had recordings 10 to 12 hours a day. In the evenings at her hotel she was still getting ready.” tar. The character in the movie has 25 years of experience. Kate had to master most of the skills in about nine months.”
Not only did she have to learn to speak German for the part, but she also had to adopt an American accent. She learned conduct, to play Bach on the piano. And all this before Kate showed up ready to do the job. This role demands a lot more than just acting itself.”
Dutch music producer Job Maarse worked with Blanchett on the film’s set. He was present at the recordings with the Dresdner Philharmonie to make sure they “sound exactly right,” he says on Parole. The producer describes the actress as a “wonder of the world.”
Between recordings, Blanchett constantly worked with a surf music coach, says Marcy. She had to be part of Mahlers Fifth Symphony And it is very difficult to do this. When she passed by, I talked her into some bravery. She did an amazing job. In fact, it seemed even more exciting when she ran in place of her coach. Everyone was impressed with Kate’s persuasion.”
